PROSES PENCIPTAAN DAN BENTUK TARI BETEMAS DALAM KARYA PERTUNJUKAN TEMAS RITO : SYMPHONY OF HEALING AND SPIRITUALITY

  • Nailla Salsyabhila Adini Institut Seni Indonesia Surakarta
  • Soemaryatmi Institut Seni Indonesia Surakarta
Keywords: Betemas Dance, local wisdom, Practice-Led Research, traditional healing, transformative choreography

Abstract

This study examines the creation process and performance form of Betemas Dance in the work Temas Rito: Symphony of Healing and Spirituality, which is inspired by the traditional Temas Kunyit healing ritual practiced in Baru Village, Muarajambi. The research aims to analyze the transformation of the healing ritual into a choreographic concept and to explain the arrangement of dance elements that shape the performance structure. This study employed a Practice-Led Research approach with qualitative methods. Data were collected through participant observation, interviews with cultural practitioners and local communities, and literature review, then analyzed through the artistic creation process. The findings reveal that Betemas Dance is an artistic reinterpretation of a traditional healing ritual expressed through representative movements, choreographic structures, and integrated performance elements. The dance represents physical and spiritual healing while highlighting values of togetherness, unity, and local wisdom. The study contributes to the development of research-based dance creation and supports the preservation of traditional cultural practices within contemporary performing arts.

References

Guntur. (2016). Metode penelitian artistik. ISI Press Surakarta.

Hadi, Y. S. (2007). Kajian tari: Teks dan konteks. Pustaka Book Publisher.

Hawkins, A. M. (2003). Moving from within: A new method for dance making. A Cappella Books.

Hendra, D. F. (2023). Kajian Dasar Bentuk Gerak Tari Dan Musik Iringan Tari Zapin Penyengat. JPKS (Jurnal Pendidikan dan Kajian Seni), 8(2), 114-127. http://dx.doi.org/10.30870/jpks.v8i2.19537

Hera, T., & Nurdin, N. (2019). Kontribusi Motivasi Mahasiswa Dalam Proses Kreatif Penciptaan Tari Pada Mata Kuliah Koreografi. Jurnal Sitakara, 4(1). https://doi.org/10.31851/sitakara.v4i1.2558

Indrastuti, N. S. K. (2024). Fungsi Praktik Mantra Pengobatan Di Desa Bukit Kemang, Kecamatan Tanah Tumbuh, Kabupaten Bungo, Provinsi Jambi. Magistra Andalusia: Jurnal Ilmu Sastra, 6(1). mailto: https://doi.org/10.25077/majis.6.1.143.2024

Jazuli, M. (2016). Sosiologi seni: Pengantar dan model studi seni. Graha Ilmu.

Mangangue, J. (2019). Ungkapan Verbal dan Nonverbal Bermakna Budaya dalam Tari Tumatenden Masyarakat Tonsea Minahasa: Kajian Linguistik Antropologi. Akrab Juara: Jurnal Ilmu-ilmu Sosial, 4(2), 21-30. mailto:https://doi.org/10.58487/akrabjuara.v4i2.607

Maryono. (2015). Analisis tari. ISI Press Surakarta.

Murgiyanto, S. (2017). Pertunjukan budaya dan akal sehat. Fakultas Seni Pertunjukan IKJ.

Narawati, T. (2019). Etnokoreologi: Pengkajian tari etnis dan kegunaannya. ISBI Bandung Press.

Rohidi, T. R. (2014). Metodologi penelitian seni. Cipta Prima Nusantara.

Soemaryatmi, & Supriyanto. (2024). Metode penciptaan seni pertunjukan. ISI Press Surakarta.

Utami, H. E. (2023). Proses Kreativitas dalam Penciptaan Tari Srimpi Pudyastuti. Acintya, 15(1), 20-31. https://doi.org/10.33153/acy.v15i1.4857

Widyastuti, I. A. G. S. (2024). REPRESENTASI SUARA SUNARI SEBAGAI SUMBER PENCIPTAAN TARI REJANG SWARA SUNARI. In Prosiding Bali Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara (Vol. 4, pp. 200-207). mailto:https://eproceeding.isibali.ac.id/index.php/bdw/article/view/543

Published
2026-06-26
How to Cite
Nailla Salsyabhila Adini, & Soemaryatmi. (2026). PROSES PENCIPTAAN DAN BENTUK TARI BETEMAS DALAM KARYA PERTUNJUKAN TEMAS RITO : SYMPHONY OF HEALING AND SPIRITUALITY. Didaktik : Jurnal Ilmiah PGSD STKIP Subang, 12(02), 150 - 172. https://doi.org/10.36989/didaktik.v12i02.15817